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Partisan news media, which often publish extremely biased, one-sided or even false news, are gaining popularity world-wide and represent a major societal issue. Due to a growing number of such media, a need for automatic detection approaches is of high demand. Automatic detection relies on various indicators (e.g. content characteristics) to identify new partisan media candidates and to predict their level of partisanship. The aim of the research is to investigate to a deeper extent whether it would be appropriate to rely on the hyperlinks as possible indicators for better automatic partisan news media detection.

The authors utilized hyperlink network analysis to study the hyperlinks of partisan and mainstream media. The dataset involved the hyperlinks of 18 mainstream media and 15 partisan media in Slovakia and Czech Republic. More than 171 million domain pairs of inbound and outbound hyperlinks of selected online news media were collected with Ahrefs tool, analyzed and visualized with Gephi software. Additionally, 300 articles covering COVID-19 from both types of media were selected for content analysis of hyperlinks to verify the reliability of quantitative analysis and to provide more detailed analysis.

The authors conclude that hyperlinks are reliable indicators of media affinity and linking patterns could contribute to partisan news detection. The authors found out that especially the incoming links with dofollow attribute to news websites are reliable indicators for assessing the type of media, as partisan media rarely receive links with dofollow attribute from mainstream media. The outgoing links are not such reliable indicators as both mainstream and partisan media link to mainstream sources similarly.

In contrast to the extensive amount of research aiming at fake news detection within a piece of text or multimedia content (e.g. news articles, social media posts), the authors shift to characterization of the whole news media. In addition, the authors did a geographical shift from more researched US-based media to so far under-researched European context, particularly Central Europe. The results and conclusions can serve as a guide how to derive new features for an automatic detection of possibly partisan news media by means of artificial intelligence (AI).

The peer review history for this article is available at the following link: https://publons.com/publon/10.1108/OIR-10-2020-0441.

The purpose of this paper is to focus on Sarajevo, the capital of Bosnia and Herzegovina, giving a general overview of its urban context through five historical periods, as part of a research study on its modernist architectural heritage.

Designed to mimic the theatrical process which unfolds through acts and intervals, the paper combines literary, architectural, journalistic and historical sources, to sketch the key periods which characterise the city’s urban morphology.

The sequence of acts and intervals points to the dramatic historic inter-change of continuities and ruptures, in which the ruptures have often been less studied and understood. This explains the frequent conceptualising of Sarajevo through East–West binary, which synthesises it as a provincial capital from Ottoman and later Habsburg rule, a regional centre within two Yugoslav states and a capital city of a young state of Bosnia and Herzegovina. This highlights the need to study the ruptures as clues to the flow of continuities, in which the care and after care for built environment provide a field of evidence and possibilities for diverse perspectives of examination.

Corroborated by secondary sources, the paper examines the accounts of urban heritage destruction in the 1990s war, as recorded by a writer, an architect and a journalist, and outlines a pattern of unbroken inter-relations between urban and architectural space (tangible) and sense and identity of place (intangible).

This discourse is relevant to the current situation where the city of Sarajevo expands again, in the complexity of a post-conflict society.

Challenged by the political divisions and the laissez-faire economy, the public mood and interest is under-represented and has many conflicting voices.

Inspired by Italo Calvino’s Invisible Cities and the accounts from the siege of Sarajevo in the 1990s, this conceptual paper contributes to the formulation of a cross-disciplinary discursive prism through which the fragments of the city and its periods come together or apart, adding, subtracting and changing layers of meaning of the physical space.